Silent Film Star Connections

Scene from "Modern Eden," a movie made in Trenton in 1918.

In 1917 a Toronto film company built a movie studio in what might seem an unlikely location — Trenton, Ontario.

Those who remember the years of Trenton's early film industry recall the thrill of seeing movie stars on the streets of town, shopping at local stores, or enjoying hockey games at the old Quinte Street Arena, wrapped in their coonskin coats.

They remember heads turning as the famous British film director, Captain Bruce Bairnsfather, went by in his chauffeur-driven car, its hood ornament twice the size of a man's hand.

That is how I began my first book, The Movie Years (Mika, 1989), the story of those few, colourful years when my home town was Hollywood North.

The first five-reel film for Canadian National Features was "The Marriage Trap," starring Marguerite Snow and Herbert Prior. That same year, filming got underway on "Power," starring Holbrook Blinn, Mable Trunnelle, and other American film stars. Although Canadian National Features went into receivership before either picture could be released, they did appear in 1918, marketed by another company. Both movies premiered at the Strand in Toronto, and newspaper ads declared them "the most pretentious produced in the Dominion so far."

The Trenton Movie Studio

The names of those early actors meant little to me twenty-five years ago when I was writing The Movie Years. But when I was more recently researching the career of Mary Pickford for my book Mary Pickford, Canada's Silent Siren, America's Sweetheart (Dundurn, 2011) and I encountered them again, they seemed to spring off the page at me.

Although I never discovered anything to indicate Mary Pickford had ever been at the Trenton Studio, I found it interesting that some of the silent movie stars who had worked here in Trenton went on to appear in movies with the fabulous Pickford.

Holbrook Blinn, who starred in "Power" in 1917, played the king opposite Pickford in the acclaimed silent film "Rosita", directed by Ernst Lubitsch.

Herbert Prior ("The Marriage Trap") had an interesting career. Early on he was a member of the Edison Stock Co. and the D.W. Griffith Stock Co., later joining Biograph where Mary got her start in moving pictures, under the direction of the brilliant D.W. Griffith. Prior was married to Mabel Trunnelle, who also played in "Power,"  here in Trenton.

Prior, an English-born actor, and Trunnelle made scores of films together. They were known as Hollywood's favourite couple until they were eclipsed by none other than Mary Pickford and Douglas Fairbanks.

Mary and Doug, Hollywood's favourite couple.

The Write Style

I recently bought myself another book on style. The editors at Dundurn, the publishers of my up-coming book, Growing Up Ivy, use a combination of their house style guide, The Chicago Manual of Style, and The Canadian Style (Toronto, ON: Dundurn Press, 1997).

It's the latter book that I purchased, in a revised and expanded edition. I have other style books on my reference shelf, as well as books like Eats, Shoots and Leaves, by Jan Truss, a witty approach to punctuation. But this one should help me when I'm working with the editor.

The Canadian Style is designed so that you can quickly access the topics you need. But from time to time, I also pick it up just to read. The chapters include everything from abbreviations to revision & proofreading. There's even a section on frequently misspelled words, although they left out two that I always have trouble with: refrigerator and cemetery.

Do you know your publisher's stand on the use of the serial comma? Do you know whether to write out the numbers 1 to 100? Or how to express exact amounts of money; or how to use punctuation with quotation marks?

It's a good idea good to familiarize yourself with the style book your publisher uses. That way, you can correct many errors in usage before submitting the final manuscript.

Till next time.

Cover for "Growing Up Ivy"

The cover illustration for Growing Up Ivy has arrived. The book, due to be released in June, 2010 is my latest novel for readers 10 years and over. I love the illustration Dundurn has chosen for its cover.

As soon as I received it, I shared it with all the usual suspects: my family and the members of my writers' group.
Here are some of their opinions.

Pat called it wonderful, said there was a mysterious turbulence about it. Linda thought it was excellent, dramatic and striking, and said it spoke to her of loneliness. Myself, I found it elegant in its simplicity. Carolyn called it intriguing, mentioning again the sense of mystery and loss. Its simplicity set up a whole set of questions for her: Where is/who is/what happened to the bike rider? "I want to read the story for the answers," she said.

And that's the whole idea. I hope you will look for Growing Up Ivy late next spring.

Happy New Year to all. And happy writing!